Print in the Post-Print| 后印刷

9 Dec. 2022, China Academy of Art

第三届中国国际版画三年展

The 3nd CAA International Printmaking Triennial

 

展览地点:中国浙江展览馆

Exhibition Add: Zhejiang Exhibition Centre,In China

Exhibition time: Dec. 2022.

 

学术主持:许江、高世明

Academic Chair: Jiang Xu, Shiming Gao

策划: 孔国桥

Chief Planner: Guoqiao Kong

策展人:于洪、杨宏伟、鲁利峰、周玥

Curators: Hong Yu, Hongwei Yang, Lifeng Lu, Yue Zhou

 

展览执行:沈蓓、鲁巍、王丹南、房炯铭、许伯阳、初艳淼

Exhibition execution:

Bei Shen, Wei Lu, Dannan Wang, Jiongming Fang, Boyang Xu, Yangmiao Chu

 

展览主办:中国美术学院,浙江省美术家协会

Exhibition organizer:China Academy of Art (CAA), Zhejiang Artists Association

展览承办:中国美术学院绘画艺术学院、当代版画研究所、浙江省版画家协会、

Exhibition undertaking: Academy of painting Arts of China Academy of Art, Institute of contemporary prints, Zhejiang Provincial printmaker Association

Introduction of The 3nd CAA International Printmaking Triennial

第三届CAA国际版画三年展介绍

In essence, no matter it is "printing as technology" in the past or "printing as art" today, the origin of printmaking -- its "essential source" is "printing". We should think about the relationship between print and The Times from this perspective: art must be combined with new technology and form a new language, so as to adapt to the new changes of human feeling in the new era and our new perception of the world.

本质上,无论是过去的“作为技术的印刷”,还是今天的“作为艺术的印刷”,在版画的本源——其“本质之源”是为“印刷”。我们应该在这样的视阈之下思考版画与时代的关系:艺术必须和新技术相结合并形成新的语言,进而适应新时代人类感觉的新变化,以及我们对于世界的新的感知方式。

Partial works | 部分参展作品

奇奇·史密斯(Kiki Smith) 《Wooden Moon》

奇奇·史密斯(Kiki Smith) 《Wooden Moon》

(Haiyan Chen), Dream of Two of difference birds on 31th of Jul., 2021 | 陈海燕 《梦2021年7月31日两个不一样的鸟》

威廉·肯特里奇(William Kentridge) 《Megaphone》

埃里克·菲舍尔(Eric Fischl) 《Move》

(Hong Yu), the forth of View of Union于洪 《并观之四》

 莎拉·塞 (Sarah Sze) 《Untitled》

布朗·塞西莉(Cecily Brown) 《Untitled》

特里.温特斯(Terry Winters)《 Turbulence Skins》

On the exhibition site 展览现场

澳洲联络机构:塔中当代艺术协会

Australian liaison agency:Chinese Contemporary Art Tasmania (CCAT Inc.)